
Movie review
July 14, 2023 · 124 min · PG-13 · Japanese · Fantasy · Animation · Drama
The Boy and the Heron follows Mahito Maki, a Japanese boy living during the Second World War. After his mother dies in a hospital fire, his father moves him from Tokyo to the countryside and marries his mother's sister, Natsuko. Mahito feels angry, lonely, and unsure about his new home, especially after Natsuko becomes pregnant. A strange gray heron leads him into a tower and a shifting world filled with spirits, birds, danger, and clues about his family. The film feels sad, strange, dreamlike, and sometimes frightening.
The film gives several women active roles. Kiriko is a skilled fisher who protects Mahito, Himi fights with fire, and Natsuko makes her own choice inside the tower. These roles add a mild identity-driven theme about women having power and purpose, but the story never turns them into a message about modern gender politics. The main ideas are grief, family, war, death, creation, and the need to accept real life instead of hiding in a perfect world. Mahito rejects control over the fantasy world and chooses to return to his difficult family life.
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Was our 21% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for The Boy and the Heron.
Woke representation / casting
Not present. The human characters are Japanese because the story takes place in wartime Japan. The English voice cast does not change the characters' visible identities.
0%
Woke political dialogue
Not present. The film has no modern identity, gender, DEI, or activist speeches. Its talk about rulers, choice, and human suffering stays within the fantasy story.
0%
Identity-driven story themes
Kiriko protects Mahito while working as a skilled fisher. Himi uses fire to fight and acts with clear independence. The women are important, but Mahito's grief and family change remain the main story. The film does not turn these roles into a modern gender or representation campaign.
15%
Western institutional / cultural critique
Not present. The Parakeet King and the Granduncle represent control inside a fantasy world. The film does not attack modern Western institutions, capitalism, Christianity, traditional families, or conservative politics.
0%
Woke character or canon changes
Not relevant. The movie is an original story loosely linked to the 1937 book How Do You Live? It does not change the race, sex, sexuality, or role of an established character.
0%
Anti-woke backlash and complaints
Not present. No major anti-woke backlash or review campaign was found. The small amount of anti-woke discussion treated the film as mostly non-woke.
0%
Creator track record context
Hayao Miyazaki has a 65/100 creator-context score because his past films often stress environmental harm, pacifism, women's independence, and resistance to authority. This film carries over the anti-war and humanist parts of that pattern. The other listed producers and casting directors have low or zero cached scores, so the context mainly comes from Miyazaki.
65%
Production