The Last Blockbuster

Sandi Harding is the real longtime store manager, not a diversity hire. Interview guests are mostly known comedians and actors tied to movie-store culture. A few non-white faces appear (for example Ron Funches), but race and gender are not sold as the point. Casting looks like real people and 90s/2000s entertainment contacts, not quota-style signaling.

Talk is about late fees, renting tapes, corporate deals, bad CEOs, Netflix, and keeping the Bend store open. There is no clear activist lecture on race, gender, sexuality, or modern identity politics. Business history talk stays at the level of company mistakes and streaming change.

Not relevant. This is a real-world documentary about a store and a company, not an adaptation that rewrites fictional or historical figures for identity reasons.

No meaningful anti-woke or right-leaning campaign treats this title as woke DEI propaganda. Public talk centers on nostalgia and irony. Pro-DEI notes that it is “too white” or lacks diversity do not count here.

Cached scores for Morden, Kamm, Gilbert, and Skousen are all 0/100. Their known work is indie docs, comedy, craft, and non-activist film work, matching this film’s nostalgia focus.