Started November 30, 2016 · Canceled · Based on 1 season, 10 episodes through January 25, 2017 · TV-14 · 43 min
Incorporated follows Ben Larson, a young executive living in a protected Green Zone in Milwaukee in 2074. Ben was born in a Red Zone refugee camp, and he hides his real name while climbing inside the company that controls his new life. He wants to rescue Elena, his first love, from a company sex club, but his plan forces him to lie to his wife and help a ruthless corporation. The show has a dark, tense, and violent thriller tone.
The show makes corporate power, climate damage, and extreme class division central to its world. Repeated stories show poor people facing debt prison, forced contracts, bad medical care, and sexual exploitation while executives control food, jobs, security, and family life. Laura opens a clinic for sick Red Zone residents, and Theo’s relationship with Anthony becomes important in the last two episodes. The story treats the collapse of government and unchecked business power as a warning, but it presents these ideas inside spy action, family drama, and personal betrayal.
Community feedback
Was our 49% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Incorporated.
Woke representation / casting
Not present. The cast includes men and women from several backgrounds, but the show does not frame that mix as a diversity message. The near-future Milwaukee setting does not create a clear casting mismatch.
0%
Woke political dialogue
News broadcasts and workplace talks repeatedly describe climate damage, failed governments, refugee pressure, and corporate rule. Ben, his family, and executives discuss profit, monitoring, privatized services, and control of food and medicine. The dialogue supports a warning about weak government and unchecked business power. The show usually delivers these points through the thriller plot instead of long speeches.
38%
Identity-driven story themes
The story repeatedly centers refugees, poor Red Zone residents, debt, forced sex work, and unequal access to medical care. Theo is shown with his male partner Anthony, and their relationship affects the season finale. Laura treats sick Red Zone residents instead of serving wealthy clients. These themes matter to the season, but they remain secondary to the corporate spy story.
28%
Western institutional / cultural critique
The show presents corporations as governments that control jobs, food, medicine, housing, and personal freedom. The Green Zone and Red Zone divide turns wealth and private power into the main source of social order. The plot repeatedly shows monitoring, debt prisons, forced contracts, and the sale of human bodies. The season links this crisis to climate damage and weak government, making its anti-corporate message a major part of the story.
54%
Woke character or canon changes
Not relevant. The series is an original story and does not change an established character, canon, or real historical event.
0%
Anti-woke backlash and complaints
NewsBusters described the show as a liberal attack on corporations, capitalism, and global warming. The supplied X search found no anti-woke reaction or specific complaints. The available backlash was limited to one conservative media article.
14%
Creator track record context
Cached scores rate Àlex Pastor and David Pastor at 6 each, and Ted Humphrey at 17. Cached producer scores are 26 for Matt Damon, 32 for Ben Affleck, and 21 for Jennifer Todd. Most writers have low or moderate cached scores, although Qui Nguyen is 58 and Patrick Moss is 43. The creators’ comments about climate change, weak regulation, and inequality support the show’s anti-corporate message without showing a broad identity-politics campaign.
27%
Production
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