Started September 21, 2018 · Ended · Based on 3 seasons, 34 episodes through December 7, 2023 · TV-Y7 · 27 min
Hilda is a brave young girl who loves exploring wild places and meeting strange creatures. She moves from a quiet forest home to the busy city of Trolberg with her mother. Hilda makes friends with Frida and David while facing trolls, elves, giants, spirits, and other dangers. The show has a warm, funny, and gentle tone, even when its stories become tense.
The show places a girl at the center of nearly every major adventure and often shows adults and city leaders making foolish choices. It supports kindness toward outsiders and misunderstood creatures across many episodes. Season two includes a brief background lesbian couple who become engaged. Season three focuses more on Hilda’s family history, her mother, and the need to understand people before judging them.
Community feedback
Was our 37% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Hilda.
Woke representation / casting
Hilda puts a girl in the main hero role, and women hold many important jobs and leadership roles. The main friend group also includes a black girl in Frida, while the city has a visibly mixed population. Season three marketing calls the series “female-forward,” which gives the casting a clear gender message beyond simple adventure storytelling.
38%
Woke political dialogue
Not present in this title.
0%
Identity-driven story themes
The show often asks viewers to accept creatures and people who are treated as strange or dangerous. Several stories criticize fear of outsiders and support peaceful cooperation between humans and magical groups. Season two briefly shows a lesbian couple getting engaged in the background. These ideas support inclusion, but they do not control the main plot.
34%
Western institutional / cultural critique
The show often makes city officials, safety groups, and public rules look mistaken or unfair. The story especially questions official fear of trolls and other magical creatures. The criticism stays inside the fantasy world and does not become a repeated modern attack on family, religion, capitalism, or traditional society.
20%
Woke character or canon changes
Not present in this title.
0%
Anti-woke backlash and complaints
A few online commenters complained that Trolberg looks more diverse than they expected from a Scandinavian-style setting. Other comments complained that the show has many strong female characters and fewer male heroes. The complaints directly mention diversity and gender balance. The reaction was small and did not become a major news controversy.
21%
Creator track record context
Luke Pearson has no clear record of identity-politics activism. The writers and most producers have low or minimal political track records. Megan Ferguson has supported women in animation. Bryan Korn has supported access and education programs, but this context is only a minor signal beside the show itself.
9%
Production
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