
Started March 12, 2021 · Ended · Based on 1 season, 8 episodes through March 12, 2021 · TV-MA
Rebecca Webb is a scientist who builds a company that claims a DNA test can find the person each customer is meant to love. The story takes place in a near-future London where the service breaks marriages apart and turns private DNA into a huge business. A detective investigates the death of Rebecca’s former friend while Rebecca fights to protect her company and her secrets. The tone mixes glossy science fiction, crime mystery, romance, and dark soap drama.
Several identity choices are easy to notice. Kate is bisexual, and her main relationship story follows her match with Sophia, a woman from Barcelona, before Kate also feels drawn to Sophia’s brother. Ethan is a gay man whose public role helps Rebecca sell the company, while Hannah and Mark’s marriage tests how the match idea changes love. Women fill the main scientist, company boss, and detective roles, but the show treats these points as part of its romance and crime plots instead of building the season around political speeches.
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Breakdown
These are the editorial factors and ratings behind our score for The One.
Woke representation / casting
The show places black characters Hannah and Mark, South Asian character Megan, Spanish characters Sophia and Sebastian, and Portuguese character Matheus in major roles. Women also fill the central scientist, company boss, and detective roles. The international mix fits a near-future London story about a worldwide service, so the mismatch is limited. Howard Overman still said he wanted a mix of nationalities, which adds a clear diversity choice.
34%
Woke political dialogue
Not present. The dialogue centers on love, DNA, crime, and business. It has no clear recurring push for DEI, identity politics, or activist ideas.
0%
Identity-driven story themes
Kate is bisexual, and her personal story runs through the season. She is matched with Sophia, a woman from Barcelona, and later feels drawn to Sophia’s brother Sebastian. The show also makes Ethan a gay man and uses him as Rebecca’s public matched partner. Same-sex attraction is treated as normal, but the story is mainly a DNA dating crime drama, not a queer-centered series.
48%
Western institutional / cultural critique
Not present. The series shows a powerful company misusing DNA and a politician worrying about divorce and data. Those are business and privacy conflicts, not a sustained modern activist attack on Western institutions, men, family, or religion.
0%
Woke character or canon changes
The source novel follows soon-to-be-wed heterosexual Nick, whose match is a man. The show replaces that storyline with bisexual detective Kate, whose match is Sophia, a woman. That sexuality and role change becomes a major subplot across the season. The DNA matchmaking premise remains, so the change is important but not the whole show.
48%
Anti-woke backlash and complaints
A Reddit post about the show accused it of using forced diversity because it includes a gay character and a mixed cast, and the post received many upvotes. Some AlloCiné users called the LGBT plot an imposed Netflix formula, political correctness, or quota-style representation. These complaints are direct anti-woke reactions, but they come from user comments rather than a major news story or organized boycott. The supplied X search found no anti-woke reaction.
27%
Creator track record context
Howard Overman is best known for Misfits and Crazyhead. His earlier work includes LGBTQ+ representation and female empowerment themes. He has also said he prefers to avoid open political moralizing. The One itself remains mostly a romance crime story.
27%
Production