Started July 9, 2026 · Returning Series · Based on 1 season, 8 episodes through July 9, 2026 · TV-MA
Hollis Shaw is a famous cook and food writer who is still broken by her husband's sudden death. She invites four women from different parts of her past to her large home on Nantucket for a carefully planned weekend. The guests bring their own troubles, including a public work scandal, a health scare, a bad marriage, and guilt over a secret affair. The show mixes grief, family strain, romance, jokes, and beach house comfort with adult language, drinking, drugs, and sex talk.
The story places five women at the center and gives each one a major path toward change. Brooke leaves a harmful marriage, faces her attraction to women, kisses Sunny, and says she is gay. Dru-Ann must face a fight over an athlete's mental health and later plans to leave her job. Hollis chooses time with her daughter and her own healing, while Tatum learns she has breast cancer and prepares for treatment.
Community feedback
Was our 56% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for The Five Star Weekend.
Woke representation / casting
The show puts five women at the center of the story. Dru-Ann is a black sports agent, and Gigi is an Asian airline pilot with a major role. Most male characters are supporting or flawed while the women drive the main plot. The modern setting makes these choices possible, so the pattern is noticeable but not a strong mismatch.
42%
Woke political dialogue
Dru-Ann faces public backlash after dismissing an athlete's mental health problem and refusing to give a full apology. Caroline talks about being a safe space, and the women discuss sex positivity, believing women, and mental health. These ideas return across several episodes, but they stay inside personal conflicts rather than becoming political speeches. The show gives little space to race, DEI, or party politics.
34%
Identity-driven story themes
Female friendship and personal freedom drive the whole weekend. Hollis learns that work and perfect plans cannot replace grief or honest family talks. Brooke leaves a bad marriage, accepts that she is gay, and begins a relationship with Sunny. The women also support career changes, new choices, and a breast cancer fight. These ideas recur through the season, but grief, betrayal, and family repair remain just as important.
50%
Western institutional / cultural critique
The show treats two husbands as sources of serious harm because Matthew cheats on Hollis and Charlie faces a sexual harassment claim. It also shows women pushing back against marriage pressure and the idea that they need a fixed life plan. Those choices question some old gender expectations, but the show does not attack Christianity, capitalism, or Western institutions. Its main target is private relationship trouble, not a broad system.
29%
Woke character or canon changes
The show changes the book's same-sex kiss from Brooke and Dru-Ann to Brooke and Gigi. The change keeps Brooke's sexuality arc but changes which established characters share the scene. The other major changes concern Caroline's plot, the timing of Gigi's secret, and Tatum's cancer result, not identity.
18%
Anti-woke backlash and complaints
Some Reddit viewers said Brooke's sudden gay storyline felt forced or like an “obligatory box.” Another viewer complained that “everything has to be gay nowadays.” Most visible viewers and reviews were positive or mixed, and no major news outlet reported an organized anti-woke campaign. The complaints are real but small and mostly focus on one subplot.
15%
Creator track record context
Bekah Brunstetter has a moderate identity-related record through The Cake, a play about a baker facing same-sex marriage. Producer Ali Krug has a stronger record of female-led and identity-focused projects. The other listed creators have lower or limited activist records in the cached notes. The combined context supports a mild to moderate score, while this season itself is mostly a grief and friendship drama.
29%
Production
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