
Started August 6, 2021 · Canceled · Based on 1 season, 9 episodes through August 6, 2021 · TV-MA · 48 min
Segev Azulai is a Tel Aviv tour guide, a former special forces soldier, and a father who has built a quiet life with his wife Danielle and daughter Ella. Danielle dies when a car strikes her and speeds away, so Segev travels from Israel to New York to find the people behind her death. His search uncovers false names, secret affairs, hidden intelligence work, and a fight between Israeli and American agencies. The show has a dark, fast action-thriller tone, with grief and family danger mixed with chases, fights, and spy twists.
The main woke elements are limited and do not drive the series. Naomi Hicks is a Black Jewish investigative reporter who becomes Segev’s skilled partner in the search, while Tali is a pregnant Israeli police detective who stays active in the danger. The show also includes Isaac, a gay criminal who owns a gay sports bar and bowling alley and has a boyfriend named Benny. These identity details are visible, but the story focuses on murder, espionage, betrayal, and family rather than identity politics or activist ideas.
Community feedback
Was our 19% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Hit & Run.
Woke representation / casting
The show gives Naomi Hicks a major supporting role as a sharp Black Jewish investigative reporter. Naomi helps Segev uncover the case across much of the New York story. Tali is also a visible, capable pregnant Israeli police detective who joins the danger. Public promotion highlighted Naomi’s Black Jewish identity as something rarely seen, but modern New York and Tel Aviv make the casting believable. The identity emphasis is noticeable but limited.
25%
Woke political dialogue
Not present. The dialogue covers murder, espionage, surveillance, and national security. It does not use modern activist or identity-politics language.
0%
Identity-driven story themes
Isaac is a gay criminal who owns a gay sports bar and bowling alley. Isaac also has a boyfriend named Benny. The show treats this as part of a small crime subplot, not as a call for social change. The identity material is visible but brief and does not shape Segev’s main grief or spy story.
12%
Western institutional / cultural critique
Not present. The CIA, Mossad, police, and media are shown as secretive or corrupt as part of the spy plot. The show does not turn that corruption into a wider activist message about society or traditional values.
0%
Woke character or canon changes
Not relevant. The series is an original story about Segev, Danielle, and an intelligence plot. It does not adapt established characters or change real historical figures.
0%
Anti-woke backlash and complaints
Not present. The X research pass found no anti-woke complaints about the show. Web reviews and audience posts focused on the action, weak plot turns, cliffhanger, and cancellation, not on DEI or identity politics.
0%
Creator track record context
Cached context places Avi Issacharoff and Lior Raz mainly in liberal-democratic and security-focused work, not DEI activism. Dawn Prestwich and Nicole Yorkin have spoken about stronger female characters and women’s creative voices. Cached director context shows no strong activist or identity-politics pattern. This gives the title a mild creator-context signal, but it does not point to a strong woke track record.
16%
Production