Peter Williams is an American Catholic priest who serves a poor town in Mexico. Eighteen years after a failed exorcism, a demon returns through Esperanza, a young woman held in prison. Peter must face the secret that he sexually assaulted Esperanza’s mother while a demon controlled him. He must also face the fact that Esperanza is his daughter. The movie mixes bloody supernatural horror with guilt, shame, and dark religious images.
The story shows Peter hiding his crime while church leaders protect his saintly image. Peter’s struggle centers on confession, forgiveness, and the harm caused when religious leaders value power and reputation over truth. A final sermon condemns homosexuals, and the crowd’s applause makes the Church look cruel and hypocritical. These ideas shape the final act, but the movie stays focused on sin, sexual abuse, and supernatural horror.
Community feedback
Was our 22% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for The Exorcism of God.
Woke representation / casting
Not present. The film places an American priest in Mexico and uses local Latin characters in a Mexican setting. The casting is not presented as an identity campaign, and no prominent role is changed to make a diversity point.
0%
Woke political dialogue
Not present. The film includes a sermon that condemns homosexuals, but that is religious condemnation spoken through the demon, not woke political dialogue. The movie has no recurring debate about current parties, laws, or identity politics.
0%
Identity-driven story themes
Not present. The film’s main themes are sin, sexual assault, guilt, forgiveness, and church corruption. The film does not make race, gender, sexuality, or representation the center of Peter’s story.
0%
Western institutional / cultural critique
The story shows Peter hiding his crime while the church continues to present him as a saint. The prison and church scenes show officials choosing control and reputation over truth. The final sermon condemns homosexuals, and the congregation applauds while a demon speaks through Peter. The movie links religious power with hypocrisy and harm. This critique returns throughout the plot and affects Peter’s main choice.
44%
Woke character or canon changes
Not relevant. The movie is an original story written by Alejandro Hidalgo and Santiago Fernández Calvete. It pays homage to The Exorcist, but it does not alter a known character, canon, or real historical event.
0%
Anti-woke backlash and complaints
Not present. The supplied X research found no anti-woke reaction or specific complaints. Web comments focus on blasphemy, sexual violence, church corruption, homophobia, and film quality rather than claims that the movie pushes woke or DEI politics.
0%
Creator track record context
Not present. Cached creator records give Hidalgo, Fernández Calvete, Abdo, Seidl, and Kabche 0/100 scores. Their public work is mainly supernatural horror and film production, with no clear activist or DEI track record.
0%
Production
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