Spaceman follows Jakub Procházka, a Czech astronaut who studies the strange Chopra cloud near Jupiter. His spacecraft breaks down during the mission, and his pregnant wife, Lenka, plans to leave him because he has abandoned her emotionally. A giant alien spider named Hanuš appears and guides Jakub through his memories, guilt, loneliness, and fear. The film uses a slow, sad, strange, and thoughtful style to tell a personal story about love and regret.
The film gives a woman mission leader an important role, and the space team includes workers from different ethnic backgrounds. The story asks Jakub to admit that his career goals and emotional distance have hurt Lenka. Jakub must face his selfish choices and learn to listen to his wife. These ideas matter to the marriage story, but the film does not make modern identity politics, social activism, or wider cultural criticism a major part of the plot.
Community feedback
Was our 14% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Spaceman.
Woke representation / casting
The film gives Commissioner Tuma, a woman, the mission’s top official role. The space team also includes workers from different ethnic backgrounds. These choices are visible in the film. The film does not present them as a message about diversity.
12%
Woke political dialogue
Not present in this title.
0%
Identity-driven story themes
The film makes Jakub’s emotional distance and career obsession the main causes of his marriage crisis. The story asks Jakub to face his selfish choices. The story also asks him to listen to Lenka. This lesson concerns male responsibility, but the film keeps it within one marriage instead of wider identity politics.
14%
Western institutional / cultural critique
Not present in this title.
0%
Woke character or canon changes
Not present in this title.
0%
Anti-woke backlash and complaints
Not present in this title.
0%
Creator track record context
Johan Renck and the writers have little clear activist history linked to this film. Nina Gold has supported diverse casting in major projects. Lia Buman has produced films with gender, queer, and identity themes. The film does not strongly carry those ideas.
18%
Production
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