Becoming follows Alex Ferri and his fiancée, Lisa Corrigan, as they drive across America to meet Lisa’s parents before their wedding. They stop at the home of Alex’s only living relative, where a frightened woman gives Lisa a warning about a man named Kevin Lee. After the couple leaves, Alex’s handwriting, voice, habits, and mood begin to change. The slow, uneasy horror asks whether Lisa is watching her loved one fall ill, turn violent, or become something else.
The movie uses identity as a private fear about memory, habits, and love. An old body-changing force slowly pushes Alex out of his own life and tries to copy him, while Lisa follows clues and tries to save herself and the man she loves. The story also shows fear inside a relationship as Alex becomes angry and dangerous, but the film links that change to the supernatural force. Lisa’s fight depends on trust, quick choices, and learning when the familiar face in front of her is no longer Alex.
Community feedback
Was our 2% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Becoming.
Woke representation / casting
Not present. The central couple is played by Toby Kebbell and Penelope Mitchell, with ordinary supporting roles around them. The film does not make race, sex, sexuality, or representation part of its casting message.
0%
Woke political dialogue
Not present. The characters talk about the entity, missing families, and Alex’s changing behavior. The movie has no activist speech or current political debate.
0%
Identity-driven story themes
Not present. The movie uses identity as a private horror about a person losing his memories, habits, and self. The story does not tie that fear to race, sex, sexuality, or group rights.
0%
Western institutional / cultural critique
Not present. Alex becomes angry, controlling, and violent after the entity takes him over. The film treats this as supernatural horror and does not turn it into a critique of men, marriage, family life, or Western institutions.
0%
Woke character or canon changes
Not relevant. This is an original horror story about Alex, Lisa, and an invented entity. It does not change a known character, canon, or real event.
0%
Anti-woke backlash and complaints
Not present. Public posts and reviews focus on scares, pacing, the entity, relationship danger, and the unclear ending. No meaningful complaint says the film pushes woke, DEI, or identity politics.
0%
Creator track record context
Omar Naim has a cached score of 16/100. His earlier work includes stories about personal identity and documentaries about Lebanese culture and theater. That gives mild social-interest context, but it is not a clear modern activist pattern. The relevant horror-film producers have low cached scores, while the higher-score names in the supplied list belong to the other Becoming.
10%
Production
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