
Started July 12, 2019 · Ended · Based on 1 season, 10 episodes through August 30, 2019 · TV-14 · 50 min
Greatest Events of World War II in Colour is a ten-part documentary with no fictional main character. Derek Jacobi narrates the war through major turning points, while historians explain choices made by Hitler, Churchill, Roosevelt, Japanese commanders, and Allied leaders. The story moves through France, Britain, the Pacific, the Soviet front, Germany, and Japan. The tone is serious, tense, and grim because the series shows real battles, dead civilians, the mass killing of Jews, and atomic destruction.
The show treats World War II as a struggle shaped by military plans, political power, propaganda, fear, and human endurance. It explains how Hitler used Germany’s defeat and economic pain to gain support before building a dictatorship and a racial state. It also asks hard questions about Allied bombing, the Holocaust, and the decision to use nuclear weapons against Japan. The central message is about the cost of war and the choices that can turn a crisis into a disaster.
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Was our 2% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Greatest Events of World War II in Colour.
Woke representation / casting
Not present. The show uses real wartime figures, soldiers, civilians, Derek Jacobi as narrator, and historians speaking as themselves. It does not turn casting or presenter choice into a diversity message.
0%
Woke political dialogue
Not present. The narration discusses Nazi propaganda, dictatorship, Allied war plans, and the atomic bomb decision. The discussion stays tied to the history of the war rather than modern activist politics.
0%
Identity-driven story themes
Not present. The Buchenwald episode explains Nazi racial ideology, antisemitism, and the Holocaust as historical events. The series does not turn those events into a modern identity-politics story.
0%
Western institutional / cultural critique
Not present. The episodes examine dictatorships, wartime bombing, military mistakes, and civilian suffering. They do not attack modern Western family life, religion, gender roles, capitalism, or other Western institutions.
0%
Woke character or canon changes
Not relevant. The show presents real historical people and events through archive footage and expert commentary. It does not rewrite them around identity politics.
0%
Anti-woke backlash and complaints
Not present. Audience discussion focuses on colourised footage, missing campaigns, historical accuracy, and the Hiroshima debate. No meaningful complaint says that the series pushes woke, DEI, or identity-politics ideas.
0%
Creator track record context
Cached context gives Sam Taplin 0, Nicky Bolster 10, Kasia Uscinska 0, Katie Boxer 0, Compton Ross 13, and Alan Griffiths 0. Nicky Bolster has a credit on a film about female-to-male gender reassignment. The available context shows no sustained activist or DEI record among the main creators. This gives a weak context signal only.
8%
Production