Hannah Faber is a smokejumper, a firefighter who parachutes into wildfires, but she has lost her nerve after one fire kills three children and a fellow firefighter. She lives alone in a watchtower in the Montana wilderness. A boy named Connor reaches her after two men kill his father and chase him for secret evidence. Hannah must guide Connor through another wildfire while the killers close in. The film has a dark, rough, and fast thriller tone.
The film puts Hannah in the main rescue role and gives Allison, a pregnant black survivalist, a strong fight scene against one of the killers. Tyler Perry also plays a brief crime boss, and a black firefighter appears among Hannah's co-workers. These choices add visible gender and racial variety, but the story does not make identity, race, or politics the reason for the conflict. The story centers on guilt, courage, trust, family duty, and earning a second chance.
Community feedback
Was our 12% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Those Who Wish Me Dead.
Woke representation / casting
Hannah is a white woman in the main action role. Allison is a pregnant black survivalist who defeats one of the killers. Tyler Perry plays a brief black crime boss. A Black firefighter appears among Hannah's co-workers. The film does not frame these choices as representation, so the identity signal stays light.
20%
Woke political dialogue
Not present. No explicit activist, ideological, or identity-based dialogue appears. Any mentions of corrupt powerful interests function as standard thriller plot devices.
0%
Identity-driven story themes
Not present in this title.
0%
Western institutional / cultural critique
Not present in this title.
0%
Woke character or canon changes
Not relevant. The film adapts an original novel with standard screenplay adjustments; no established characters, source canon, or historical figures were altered for ideological reasons.
0%
Anti-woke backlash and complaints
Not present. No anti-woke or right-leaning complaints exist in reviews, social media, or news. Reception treated the movie as conventional entertainment without accusations of DEI, identity politics, or agenda-pushing.
0%
Creator track record context
Taylor Sheridan's cached record includes public criticism of woke Hollywood. Charles Leavitt and Michael Koryta have no known activist pattern in the cached context. Producer Aaron L. Gilbert has a cached history of diversity-focused projects. The film itself does not carry that political or activist focus.
10%
Production
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