Will Sawyer is a former Marine and FBI agent who lost part of one leg on an old job. He now works as a security expert and travels to Hong Kong to check the Pearl, the tallest building in the world. Criminals start a huge fire and trap his wife and twin kids high above the flames. Will has to get back into the burning tower, clear his name, and save his family. The movie is a loud, fast action thriller built around stunts and close calls.
The story stays on a dad who will risk everything for the people he loves. Will uses training, grit, and his prosthetic leg to face killers and a building that is falling apart. His wife Sarah is a former Navy doctor who fights hard to help from the ground. The bad guys want money and secret files, not a political cause. Family, courage, and teamwork drive the whole plot.
Community feedback
Was our 3% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Skyscraper.
Woke representation / casting
Not present in this title.
0%
Woke political dialogue
Not present. The film contains zero political speeches, activist lines, or ideological debates.
0%
Identity-driven story themes
Not present. The narrative stays on family rescue, heroism, and overcoming injury with no race, gender, sexuality, or social justice elements.
0%
Western institutional / cultural critique
Not present. Villains are generic criminals driven by extortion and arson. No framing of capitalism, patriarchy, traditional norms, or Western institutions as flawed systems.
0%
Woke character or canon changes
Not present in this title.
0%
Anti-woke backlash and complaints
Not present. No anti-woke or right-leaning complaints accused the film of pushing DEI, identity politics, or activist messaging. The only casting debate came from progressive advocates seeking stronger disability representation.
0%
Creator track record context
Most key people on this film are commercial action names with low activist scores. Thurber, Johnson, and the main producers focus on entertainment and big set pieces. Johnson has also spoken against films that put political lessons ahead of story. Casting director Sarah Halley Finn has a stronger public record of pushing diverse casting on other work, which raises this factor a little even though this movie itself does not play like a diversity project.
14%
Production
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