
Domino follows Christian Toft, a Copenhagen police officer whose mistake with his service gun leaves his partner Lars dying during a raid. Christian chases the killer, Ezra Tarzi, across Denmark and Spain while trying to learn why the man was hunting an ISIS leader. A CIA agent captures Ezra and holds his family hostage so Ezra will keep chasing the terror group for American intelligence. Christian and fellow officer Alex Boe are pulled into the same hunt as the planned attack moves toward a crowded bullfighting arena. The movie has a grim, violent, and uneasy tone, with sudden chases and images of attacks made for the internet.
The movie treats revenge as a force that keeps the police, the CIA, Ezra, and ISIS moving toward more bloodshed. The CIA uses secret deals, threats, and surveillance, while the terror group records killings and edits them into online propaganda. Christian notices the skill of those videos, which makes the film question how violent images can attract attention. Alex is a police officer with a personal link to Lars, and she joins Christian in the hunt. The main ideas concern revenge, state power, terrorism, and the danger of turning death into entertainment.
Community feedback
Was our 9% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Domino.
Woke representation / casting
Not present. The main cast fits the Copenhagen police and international terrorism setting. The film does not frame its casting as a diversity or identity message.
0%
Woke political dialogue
Not present. The dialogue discusses revenge, police work, CIA tactics, terrorism, and online propaganda. It does not push modern identity, gender-role, or DEI ideas.
0%
Identity-driven story themes
Not present. The story focuses on revenge, terrorism, and the use of images in attacks. It does not build its main conflict around race, sex, sexuality, or another modern identity cause.
0%
Western institutional / cultural critique
The film shows CIA agent Joe Martin taking Ezra’s family hostage and forcing him to work for the agency. The story also treats American surveillance and secret power with open distrust. This is a small institutional critique, but it does not become a wider attack on family, faith, men, women, capitalism, or current identity politics.
10%
Woke character or canon changes
Not relevant. Domino is an original crime thriller with no established character, source canon, or historical figure being changed.
0%
Anti-woke backlash and complaints
Not present. No anti-woke complaints were found in the supplied X research or the wider coverage reviewed. The visible criticism focused on craft, production problems, and the depiction of terrorism.
0%
Creator track record context
Brian De Palma has a cached score of 8/100 and is mainly known for suspense and film technique. Petter Skavlan has a cached score of 4/100 and is known for history and survival stories. Gro Therp has a higher cached score because her casting work includes public support for counting identity traits and changing character identity details. No clear identity campaign connects that record to this film.
18%
Production