Laura and Simon have been best friends since college in a near-future version of Britain. A company called Soul Connex uses a test to match people with the person it says is their soulmate. Laura takes the test, meets Lukas, and builds a marriage and family while Simon tries to move on with other women. The film follows their years of missed chances, secret desire, and painful choices in a quiet, sad romance.
The clearest audience-visible identity element is a short scene at a lesbian wedding, but the couple is not developed and the event does not shape the plot. The main relationship is between a white man and a white woman, and the story does not center race, gender politics, or activist causes. The film questions whether a computer match should control love and whether a deep friendship can survive an affair. Its strongest message favors personal feeling and human connection over a test and the tidy promise of a perfect match.
Community feedback
Was our 13% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for All of You.
Woke representation / casting
Not present. The main cast is a white man and a white woman in a modern British romance, which fits the story. A biracial supporting actor and a brief lesbian wedding do not form a repeated casting pattern or an identity message.
0%
Woke political dialogue
Not present. The characters do not use political or activist talk. The dialogue stays focused on love, marriage, friendship, and the soulmate test.
0%
Identity-driven story themes
The film includes a short scene showing a lesbian wedding. The couple receives no developed story or major conflict. The main theme follows a man and woman choosing between friendship, marriage, and an affair rather than an identity struggle.
12%
Western institutional / cultural critique
Not present. The film questions a commercial soulmate test, but that is a personal and technology-based story problem. The film does not attack Western institutions, religion, traditional gender roles, or conservative politics.
0%
Woke character or canon changes
Not relevant. The film is an original story about two friends and a new soulmate test. No established characters or real historical figures are changed.
0%
Anti-woke backlash and complaints
A small right-leaning X account called the film a Hollywood failure and complained about the affair and a lesbian wedding. Another reply used broad propaganda language without making a larger title-specific argument. The reaction was fringe, with no boycott, review-bombing drive, or major-account campaign.
12%
Creator track record context
Goldstein has studied feminism and has been linked with protest marches in the supplied background. Bridges wrote “USS Callister,” which critiques misogyny, harassment, toxic masculinity, and male entitlement. Some producers have credits on a climate-sabotage film, while their wider records are commercial. The casting director has no strong activist profile in the supplied context. The film itself does not carry these issues into a clear activist message.
23%
Production
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