
Started December 14, 2022 · Canceled · Based on 1 season, 10 episodes through February 8, 2023 · TV-14 · 43 min
Jess Valenzuela is a smart young woman living in Baton Rouge under DACA. She learns that her missing father belonged to a secret group that protected a huge treasure. Jess and her friends follow clues across the United States and Mexico while a rich criminal hunter follows them. The show mixes puzzles, danger, family secrets, teen drama, and romance.
The show makes identity part of its main story. Jess’s Mexican family history and DACA status shape her goals and fears. The treasure comes from Mesoamerican cultures and was hidden by a secret group of women who fought Spanish conquerors. The young hero group is built around several ethnic backgrounds, while women often hold the key roles. These ideas appear across the season, but the show still spends much of its time on ordinary adventure plotting.
Community feedback
Was our 77% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for National Treasure: Edge of History.
Woke representation / casting
Jess is a Latina DACA hero who leads the full treasure hunt. Tasha is black, Ethan is Asian, and the main friend group has a strongly planned mix of backgrounds. Women also lead the FBI story, the criminal group, and the ancient treasure society. The pattern is more identity-focused than a typical continuation of the older male-led films.
44%
Woke political dialogue
Jess repeatedly worries about her DACA status and becoming a citizen. The show links her personal future to immigration and belonging in America. Characters also discuss how powerful groups control the version of history people learn. These ideas recur, but they do not control most conversations.
29%
Identity-driven story themes
Jess’s Mexican family history is the main reason she joins the treasure hunt. The story presents Mesoamerican women as hidden protectors whose achievements were ignored by later history. The plot treats cultural recovery and the place of immigrants in America as important parts of Jess’s growth. These themes continue through several episodes.
55%
Western institutional / cultural critique
The show presents Spanish conquerors as violent outsiders who stole wealth from Mesoamerican peoples. It says that powerful people often control which version of history becomes accepted. Billie’s rich art-dealing world is also shown as greedy and dangerous. The story does not spend much time attacking modern American institutions.
31%
Woke character or canon changes
The older films followed Benjamin Gates, a white male historian played by Nicolas Cage. This series shifts the franchise to Jess, a young Latina DACA resident, and a mostly young, diverse friend group. It also changes the treasure history by making a secret group of Mesoamerican women its protectors. These changes are central to the new version of the franchise.
43%
Anti-woke backlash and complaints
The Washington Examiner called the show “left-wing propaganda” and connected its diverse cast to DEI ideas. Some online viewers complained that the female lead and diverse group replaced the older films’ style and characters. Other viewers mainly criticized the writing, teen tone, and lack of Nicolas Cage. The anti-woke backlash was clear but not the only reason for the poor reaction.
51%
Creator track record context
Marianne and Cormac Wibberley have a known pattern of using representation and identity themes in their projects. Their cached scores reflect their work on a series centered on a young Latina DREAMer and underrepresented history. Their creator context supports the show’s identity-focused choices. This score uses the stored creator context rather than a new score.
61%
Production