Started September 27, 2016 · Canceled · Based on 1 season, 13 episodes through December 20, 2016 · TV-14 · 45 min
After a week of violent storms, falling meteors, earthquakes, and a spreading plague destroy normal life, the Copeland family leaves home in an RV. Karen is a former Air Force pilot who uses her training to protect her husband Joshua and their children, Matt, Brianna, and Dana. The family travels through ruined Washington and Idaho while searching for safety, medicine, and answers about the disaster. The tone mixes bloody survival horror, family drama, dark jokes, and a mystery about myths becoming real.
Karen is the family's main fighter and protector, while Brianna and Dana also shoot, fight, solve problems, and make key choices across the season. Joshua and Matt remain important, but the women handle many direct rescues and danger scenes. The family faces a strict religious commune, broken police forces, armed gangs, plague victims, and supernatural beings as part of the survival plot. The season also follows family loyalty, survival, faith, sacrifice, and the fear of a world where law and safety have collapsed.
Community feedback
Was our 25% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Aftermath.
Woke representation / casting
Syfy marketing highlights Karen as an ex-military mother who is not a traditional homemaker. The season gives her and both daughters prominent action roles. Their jobs and family history make those choices fit the setting, and the show does not present the cast as a diversity-first design. The identity emphasis stays limited to a female action-family image.
12%
Woke political dialogue
Not present. The characters talk about survival, family, danger, medicine, religion, and strange events. The season does not include recurring lines about modern identity, gender roles, DEI, or activist causes.
0%
Identity-driven story themes
Karen is the family's main fighter and decision maker across the season. Brianna and Dana repeatedly use weapons, fight threats, and solve problems in the road story, the religious compound, the volcano crisis, the hospital, and the finale. Joshua and Matt remain important, so the show does not make every man weak or useless. The repeated female-competence pattern is a noticeable identity-driven theme, but it stays secondary to the family's survival.
38%
Western institutional / cultural critique
Not present. The show does not tie its broken police, religious compound, gangs, or military groups to a current social cause. These groups are survival threats inside the disaster story.
0%
Woke character or canon changes
Not relevant. Aftermath is an original series, so it does not change an established character, canon, or real historical figure.
0%
Anti-woke backlash and complaints
Not present. The separate X research pass found no anti-woke reaction or specific complaints. Web reviews focused on violence, weak writing, uneven tone, and strange plot choices instead of woke or DEI messaging.
0%
Creator track record context
William Laurin and Glenn Davis each have a cached score of 16/100. The other cached writer and director scores range from 0 to 24, and their records mainly show genre, crime, family, and mainstream television work. Adriana Maggs has discussed some social issues on Coroner, but that record is limited and separate from Aftermath. The available creator context gives this factor only a low score.
15%
Production
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