
Movie review
November 3, 2022 · 115 min · R · Horror · Sci-Fi · Comedy · Mystery
Something in the Dirt follows Levi, a struggling bartender with a troubled past, and John, his lonely neighbor in a run-down Los Angeles apartment building. The two men see a crystal ashtray float and decide to film the event in hopes of making money and giving their lives a purpose. Their search leads through strange marks, old tapes, city history, and wild theories about hidden forces. The film uses dark jokes, smoky rooms, and a tense, confusing mood as the friendship slowly breaks down.
The clearest woke element is the leads’ sexual identity. John is gay and has an ex-husband, while Levi says that he has never felt attracted to anyone, which presents him as asexual. The film returns to these details in talks about dating, marriage, church, and the end of the world, but the identities do not drive the mystery or turn into an activist message. The unusual evangelical Armageddon church creates a small religious tension, but it mainly shows John’s strange ideas and isolation. Most of the movie stays focused on loneliness, paranoia, friendship, and the need to find meaning.
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Breakdown
These are the editorial factors and ratings behind our score for Something in the Dirt.
Woke representation / casting
Not present. The film centers on two white men in modern Los Angeles. Their sexual identities are written into the roles, but the cast does not show a repeated representation-first pattern.
0%
Woke political dialogue
Not present. The characters briefly talk about dating, sexual identity, evangelicals, and an end-times church. Those lines explain the characters and their beliefs rather than pushing DEI or activist ideas.
0%
Identity-driven story themes
John is a gay man with an ex-husband, and Levi says that he has never been attracted to anyone. The film returns to these facts in talks about dating, marriage, church, and the end of the world. The two identities help explain their loneliness and the way they argue about each other. The supernatural mystery and the friendship remain the main story, so the identity content is visible but not central.
34%
Western institutional / cultural critique
The film shows John's end-times evangelical church as a strange source of comfort. John says people judge evangelicals in all-or-nothing ways, while Levi calls the apocalypse belief bonkers. The critique stays tied to one unusual church and does not become a broad attack on Christianity, men, family life, or Western institutions.
16%
Woke character or canon changes
Not relevant. The film is an original story about two neighbors. It does not change an established character, source, or real historical figure.
0%
Anti-woke backlash and complaints
Not present. No anti-woke complaints were found in the supplied X pass or the broader search. Reddit, Letterboxd, and news reviews discuss the confusing plot, conspiracy ideas, and friendship instead.
0%
Creator track record context
Justin Benson's cached creator score is 13/100. Aaron Moorhead's is 12/100, and David Lawson Jr.'s is 8/100. The stored notes record occasional real-world commentary from Benson as a weak signal. They show no clear activist, DEI, or identity-driven pattern in the creators' work.
12%
Production