In Istanbul, veteran chief inspector Emin leads a tired homicide team with Salih, Asuman, and Alaattin. The group faces a string of strange murders with no clear clue or useful evidence. Public attention and pressure from police bosses grow as each new body appears. The dark comedy follows their bad methods, short tempers, and frantic search for a killer. The team later brings in Dizdar Koşu, a crime expert who has returned from the United States, but his special methods make the case even more chaotic. The film makes fun of police dramas by showing ordinary workers who are confused, rude, hungry, and often unhelpful. A flirtation between Asuman and Dizdar adds a small romantic comedy thread. The ending gives the strange murders a sad reason because an artist has dressed bodies found in trash to draw attention to people whose deaths were ignored.
Community feedback
Was our 1% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for You've Got Murder.
Woke representation / casting
Not present. The film uses a Turkish police team in modern Istanbul, with one woman among the officers. The cast is not presented as a diversity message.
0%
Woke political dialogue
Not present. The dialogue centers on the murder case, police mistakes, sex jokes, and workplace pressure. No confirmed lines promote modern identity, DEI, or activist ideas.
0%
Identity-driven story themes
Not present. The story is about a strange murder case, public attention, and the value of noticing unknown victims. It does not build its conflict around race, gender, sexuality, or identity politics.
0%
Western institutional / cultural critique
Not present. The comedy mocks a confused police team, its bosses, media pressure, and crime-film clichés. It does not turn those jokes into a modern activist attack on patriarchy, capitalism, Christianity, or Western culture.
0%
Woke character or canon changes
Not relevant. The film is an original story about invented police characters. It does not change established characters, source material, or real historical figures.
0%
Anti-woke backlash and complaints
Not present. No credible public complaint says this film pushes woke, DEI, identity politics, or left-wing messaging. The reaction found is about humor, pacing, and the short final message, while the supplied X pass found no anti-woke complaints.
0%
Creator track record context
The stored context gives Ali Atay and Aziz Kedi scores of 0. The stored context gives Feyyaz Yiğit a low score of 20 and notes his support for Ekrem İmamoğlu as a mild opposition-liberal signal. The same context reports no strong record of DEI, race, gender, sexuality, or organized social-justice activism. That background is weak and does not shape this film’s crime-comedy story.
7%
Production
Movie · 2018
Mermer family, who has been managing a restaurant called “Anatolian flavors” in Haydarpasa train station for generations, consist of 8 members.
Movie · 2024
Hired to cover up a high-profile crime, a fixer soon finds his night spiralling out of control when he's forced to work with an unexpected counterpart.
Movie · 2025
Kat is an improv comedy teacher beginning to question if she’s missed her shot at success. When an undercover cop offers her the role of a lifetime, she recruits two of her…
Movie · 2022
Creatively unfulfilled and facing financial ruin, Nick Cage must accept a $1 million offer to attend the birthday of a dangerous superfan.
Movie · 2017
Desperate to pay the bills and come through for their loved ones, three lifelong pals risk it all by embarking on a daring bid to knock off the very bank that absconded with their…
Movie · 2024
Stuck at a dead end but vying for the love of spunky club manager Anata, aging contract killer Danny Dolinski is thrilled when The Company pulls him back in the field, but only to…
Movie · 2022
The roguishly charming and endlessly troublesome Fletch becomes the prime suspect in a murder case while searching for a stolen art collection.
Movie · 2019
Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang.
