Jacob Kanon is a New York police detective whose daughter and her new husband are killed on their honeymoon in London. He crosses Europe to track the killers after postcards warn local reporters before each murder. Jacob works with Dessie Lombard, a U.S. journalist based in Sweden, and police officers from several countries. The movie has a grim crime-story tone, with bodies arranged to copy famous works of art.
Jacob’s grief drives the search and makes him reckless with police rules. Dessie uses her knowledge of art and the postcards to help identify the killers’ next move. The brother and sister killers target young married couples because their hidden relationship and childhood abuse have left them bitter and violent. The story links their crimes to revenge, family trauma, and a twisted view of art.
Community feedback
Was our 5% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for The Postcard Killings.
Woke representation / casting
Not present. The story treats Jacob and Dessie as a detective and a reporter working a murder case. Their race or sex does not drive the plot or make an identity message.
0%
Woke political dialogue
Not present. The police disagree about how to handle the case. The movie does not use those disagreements to make a political argument.
0%
Identity-driven story themes
Not present. The killers’ incestuous relationship and childhood abuse explain their crimes. The movie treats these as personal damage and horror, not an identity message.
0%
Western institutional / cultural critique
Not present. The film shows one criminal father and slow police cooperation. The film does not turn either into a broad attack on Western society, family, or religion.
0%
Woke character or canon changes
Not relevant. The story is a crime-novel adaptation. Its changes do not put identity politics at the center of a known character or event.
0%
Anti-woke backlash and complaints
Not present. Broader reviews mostly criticized the writing and lack of suspense. No substantial complaints were found that the movie pushes woke, diversity, or left-wing messages.
0%
Creator track record context
Danis Tanović has taken part in liberal civic politics in Bosnia. Tena Štivičić has publicly backed women’s viewpoints in drama. Tracey Edmonds has praised diversity programs in entertainment. These are background details and do not shape this film’s crime plot.
25%
Production
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