Damien Sachs is a rich, rude ad man who loves money, power, and casual dates. He is close to becoming boss at his company when he hits his head and wakes up in a world run by women. In that world his old coworker Alex is now the tough boss, and men face the same unfair treatment he used to give women. The movie is a broad comedy fantasy full of reverse gender jokes.
The whole story is built to make a sexist man feel what sexism is like by flipping who holds power. Damien first gets a woman promoted only for show, then faces catcalls, beauty rules, and being talked over at work. By the end he comes home changed and tries to give women better chances. Alex’s child Charlie is nonbinary and uses they/them pronouns. Gender power and fairness sit at the center of the plot from start to finish.
Community feedback
Was our 91% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Ladies First.
Woke representation / casting
The story puts women in top power roles in the flipped world on purpose, and the “real” world opens with a quota-style female promotion for client optics. Supporting cast includes black actress Weruche Opia as Damien’s secretary who becomes an executive in the other world. Alex’s child Charlie is clearly nonbinary with they/them pronouns, a visible identity choice viewers notice even though the role is small.
46%
Woke political dialogue
Characters talk often about sexism, unfair beauty rules, being talked over, and double standards at work. Reverse jokes hit men for looking emotional, being on “the pill,” and needing to look “fuckable” to get ahead. The script keeps hammering male privilege and how women are treated until Damien learns the lesson out loud.
80%
Identity-driven story themes
The entire plot exists to flip gender power so a sexist man feels discrimination and reforms. Workplace fairness for women, objectification, and who gets to lead drive every major beat. The nonbinary child is a real but smaller identity detail beside the main man-vs-woman power lesson, which never leaves the center of the film.
90%
Western institutional / cultural critique
The film attacks male boardroom culture, casual harassment, and the idea that men can rise while treating women as props. Traditional male power at home and work is shown as wrong, and the “good” ending is Damien fixing the company for women. It is not a broad attack on churches or capitalism, but it strongly knocks male entitlement and old gender rules.
76%
Woke character or canon changes
Not present in this title.
0%
Anti-woke backlash and complaints
Conservative and men’s-rights style posts and a Washington Examiner review call it man-hating feminist propaganda and a revenge fantasy. Some viewers also attacked the nonbinary child as forced woke casting. The pushback is clear and repeated, but critics mostly panned craft and jokes more than launching a huge national boycott story.
52%
Creator track record context
Pourriat’s source work is open feminist role-reversal, and several writers and a producer have soft-to-moderate records of female-led stories, diversity framing, or light feminist comedy. Sharrock and other producers are more mainstream or low-profile. The team fits a gender-satire remake without every name being a hard activist.
42%
Production
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