
Started January 23, 2020 · Canceled · Based on 1 season, 10 episodes through January 23, 2020 · TV-MA · 40 min
Fred and Deloris Allen are married monster hunters who bring their teenage twins, Geoff and Viv, back to a small town in upstate New York after Fred’s father dies. The parents hide their work in a secret group called Presidio, but the children soon discover that they have strange powers too. The family faces vampires, warlocks, old family secrets, and a fight over who deserves to live in peace. The tone mixes horror, family drama, school trouble, and campy supernatural action.
Geoff is an openly gay black teenager whose family accepts him, while his new boyfriend Phillip first hides his own sexuality and bullies him. Viv faces bullying and an attempted sexual assault, and the story shows school leaders ignoring her side. The season also compares monster hunting with the way people fear and harm outsiders because of race or sexuality. Those ideas recur through the school plot and the warlock conflict, but family secrets and monster action remain the main story.
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Was our 66% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for October Faction.
Woke representation / casting
Deloris is a black woman who shares the lead monster-hunter role with Fred. The family is an interracial couple with adopted twins, and Geoff is a gay black teen. The town also gives major roles to a Latina sheriff and a South Asian teen. This creates a clear identity pattern in the main cast, but the story does not present the casting as a formal diversity campaign.
38%
Woke political dialogue
The show uses direct language about prejudice and accepting people who are different. Moshe calls Presidio a fascist army. Presidio talks about studying monster DNA and wiping out the town, and the story uses that threat in its moral conflict. The school plot includes homophobia, coming out, and an assault story that is discussed in #MeToo terms.
44%
Identity-driven story themes
Geoff is openly gay, and the story treats family acceptance as a clear good. Phillip hides his sexuality, bullies Geoff, comes out, and dates him. The show compares the treatment of warlocks, vampires, and werewolves with the way real people are demonized because of race or sexuality. Viv’s assault and the school’s refusal to believe her add a female empowerment theme. These ideas return across the school plot and the warlock conflict.
65%
Western institutional / cultural critique
Presidio is an international group that kills and experiments on monsters. The season shows the group as cruel and willing to erase a whole town. The story makes that violence part of a wider message about powerful institutions treating outsiders as less than human. Viv rejects Presidio’s promise that studying monster DNA will bring peace. The critique stays inside a fantasy and school story.
46%
Woke character or canon changes
Not relevant. The television version changes the timeline, family history, and the parents’ roles from the comic. Coverage describes these as adaptation choices, and no clear woke identity change to established canon is shown.
0%
Anti-woke backlash and complaints
Some Reddit and user-review posts accused the show of pushing political or woke ideas. Those posts objected to the gay storyline, racial themes, and school drama. Other viewers praised the cast and wanted another season. Mainstream coverage mostly criticized weak writing and pacing instead. The complaints are scattered and mostly come from individual users.
30%
Creator track record context
Damian Kindler and most writers have no documented activist or identity-first record. Melissa Blake has publicly supported gender and racial diversity in writers’ rooms. Megan Follows and Mina Shum have stronger links to female or race and identity themes. Most of the creative team remains focused on genre television. The creator context gives moderate support but does not prove an activist purpose.
30%
Production