Wayward

The show casts non-binary actor Mae Martin as a trans man cop in the lead role. It also features several prominent queer and bisexual characters in the main cast. Viewers pointed out that the easy acceptance of these identities in 2003 Vermont is highly unrealistic. The casting pattern heavily prioritizes modern identity and representation over historical realism.

The characters speak openly about gender identity and trans issues. This includes teenagers joking about the main character's body and discussions about his trans identity. Viewers felt these conversations were very modern. They noted that the dialogue often sounds like it belongs in present times rather than the year 2003.

The entire series centers on identity, bodily autonomy, and self-discovery. Mae Martin stated that the main character's journey explores the desire to conform to traditional family structures. The show uses a troubled teen school as a metaphor for oppressive social systems. It places queer and trans themes at the absolute center of its narrative.

The story critiques traditional authority and parenting. It frames the nuclear family and parents as oppressive forces that push kids into harmful conformity. The local teen academy is shown as a sinister cult using abuse to cure normal feelings. The show uses this setup to criticize traditional Western social norms.

The show faced notable backlash from viewers who complained about a forced woke agenda. Many online users called the focus on trans and queer themes unnecessary and distracting. Some viewers criticized the acting and writing, arguing that the show felt like a lecture on identity.

The key creative team has a strong history of LGBTQ activism. Creator Mae Martin is a non-binary queer activist. Writer Misha Osherovich is a non-binary advocate for queer youth. Director Euros Lyn is openly gay and has a history of directing prominent queer media. This strongly aligns with the show's heavy focus on representation.