Red Eye

The show puts British East Asian representation and female empowerment at the center. It stars three women as the main heroes who save the day by breaking rules. The main male lead is handcuffed for most of the first season and relies on the female leads, while the second season features a female MI5 director in danger. It was highly promoted for its diverse casting.

The show features explicit woke jargon. In the first episode, the lead police officer accuses the white male suspect of using his "white privilege" to try and get away with murder. The dialogue also touches on sibling resentment related to having a white mother and experiencing "white privilege".

Hana Li's character arc is tied to her identity as a Chinese-British immigrant. The story focuses on her personal struggles with belonging in the UK and her complicated relationship with her mixed-race half-sister, whom she believes benefits from "half white privilege".

The plot involves high-level corruption inside British security agencies and the government. Officials are willing to sacrifice innocent lives to protect a nuclear deal with China. While this is a common thriller trope, it is framed with modern activist skepticism toward Western institutions.

Many viewers on social media and Reddit called out the "white privilege" dialogue in the first episode. They labeled it as annoying woke preaching and said it ruined their immersion in the story.

Creator Peter A. Dowling has a history of writing thrillers with racial themes. Co-writer Jingan Young is a vocal activist for post-colonial identity and female voices. Producer Julie Gardner also has a record of promoting inclusive television casting.