Project Blue Book

The show features a moderate level of representation. The most prominent example is the sapphic relationship between Mimi Hynek and Susie Miller, which introduces a clear LGBTQ dynamic. Season two also introduces a black CIA partner, Agent Banks, and portrays the historical interracial couple Betty and Barney Hill, highlighting their experiences with racial prejudice. Because queer representation receives extra weight under our system, this factor is scored slightly higher.

The dialogue is mostly focused on sci-fi mysteries and military procedures. However, there are occasional modern progressive conversations about female independence, the struggles of being a 1950s housewife, and some dialogue calling out historical racism and segregation when characters face prejudice in public spaces.

The show features notable identity-driven themes. Mimi Hynek's character arc centers on seeking personal independence beyond being a housewife, leading to a physically intimate, romantic relationship with Susie Miller that includes a same-sex kiss. This prominent LGBTQ narrative, combined with themes of 1950s racial discrimination and segregation faced by minority characters, gives the story noticeable identity-focused elements.

The series portrays the U.S. military, the CIA, and government officials as highly corrupt and deceitful. While this is a standard trope of the conspiracy-thriller genre, the narrative also includes minor critiques of traditional 1950s gender roles and nuclear-family dynamics through Mimi's unhappiness as a traditional housewife.

The show deviates significantly from the real historical records of the people involved. The real Mimi Hynek did not have a romantic, sapphic relationship with a female Soviet spy. Fabricating this romantic subplot for a real historical figure represents a clear identity-driven change designed to insert a modern queer narrative into historical events.

There was no massive public backlash, but some conservative and family-focused reviewers complained that the show incorporated modern left-leaning political narratives about systemic racism. Others disliked the extremely cynical portrayal of the U.S. military and government.

The creative team has a mixed track record. While creator David O'Leary has no activist history, some of the key writers have a notable progressive background, such as feminist writer Linda Burstyn and industry activist Thania St. John, while other producers and directors have moderate to low scores.