Unpregnant

Visible lesbian identity for Bailey with on-screen kiss, romantic subplot, and explicit "We're gay and pregnant!" affirmation; queer elements are audience-visible and tied to the GLAAD-nominated portrayal, though not the dominant plot driver and without forced mismatches to the story world.

Multiple scenes directly reference Missouri's parental-consent abortion law as an unjust barrier versus permissive New Mexico rules; characters affirm the protagonist's choice as valid, unproblematic, and worth pursuing at any cost.

The central narrative engine is a teenager's assertion of reproductive autonomy and female friendship against legal, romantic, and familial obstacles framed as restrictive and patriarchal; a parallel queer self-discovery arc reinforces identity affirmation.

Missouri abortion restrictions and pro-life activists are cast as primary antagonists and oppressive forces, with religious opponents shown as fanatical extremists (including an interference/kidnap attempt); the film aligns with activist framing of conservative state and religious institutions as undue barriers to women's bodily autonomy.

Clear review-bombing and accusations of pro-abortion propaganda from anti-choice viewers; conservative criticism specifically called out anti-Christian stereotypes and the comedic trivialization of abortion, though the backlash stayed niche and online rather than escalating into major mainstream outrage.

Director explicitly advocated normalizing abortion as a response to rights "under attack"; lead producer Greg Berlanti has a documented pattern of centering high-profile LGBTQ+ stories and characters across film and television.