The Phantom of the Open

Not present. Casting uses white British actors for every principal role in line with the 1970s working-class Barrow-in-Furness setting and real people depicted. No patterns of identity signaling, quota-style choices, or emphasis on diversity appear in prominent positions. Selections follow story and historical logic without modern adjustments.

Not present. No activist speeches, identity-focused conversations, or explicit messaging on gender, race, sexuality, DEI, or social justice topics exist in the film. Dialogue stays on family, dreams, golf attempts, and personal persistence in a comedic register.

Not present. The narrative tracks a working-class dreamer challenging sports elites and supporting his family's ambitions, with class differences visible in the 1970s British context. These elements come directly from documented events and play as optimistic comedy rather than identity politics or activist reframing.

Not present in this title.

Not relevant. The film adapts a real person's documented life and events from the source book with standard biopic comedic touches. No identity-driven or DEI-style alterations to historical figures or canon appear.

Not present. No anti-woke or right-leaning complaints treating the film as activist, DEI, or identity-politics content surfaced in reviews, news, or social media. Reaction stayed centered on entertainment value.