
The Little Things is a 2021 neo-noir crime thriller set in early 1990s Los Angeles. Two male detectives team up to hunt a serial killer targeting women, with the story centering on obsession, guilt, and how the pursuit of justice damages the pursuers personally. The film delivers a straightforward procedural with strong lead performances and no audience-visible identity politics, representation messaging, or social-justice framing.
Community feedback
Was our 8% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for The Little Things.
Woke representation / casting
Natural casting of a black lead detective and diverse supporting players fits the 1990s Los Angeles setting with no visible identity signaling, diversity emphasis, or mismatched swaps.
8%
Woke political dialogue
Dialogue stays on investigation details, suspect games, and personal regrets with zero activist language or modern political framing.
0%
Identity-driven story themes
Core story examines obsession and guilt through male characters; no race, gender, sexuality, or identity-based arcs or messaging.
0%
Western institutional / cultural critique
Shows individual cops corrupted by obsession and making moral compromises in a 1990s context; presented as personal psychological drama, not modern activist attacks on policing, patriarchy, or Western institutions.
10%
Woke character or canon changes
Not relevant — original story with no source material alterations.
0%
Anti-woke backlash and complaints
No anti-woke or right-leaning complaints about DEI, identity politics, or activist messaging; public debate stayed on ending and pace.
0%
Creator track record context
John Lee Hancock’s body of work and key producers show mainstream commercial and historical focus; minimal signals from supporting roles like the script supervisor’s DEI committee work.
7%
Production