Ed and Lorraine Warren are a married couple who investigate ghosts and demons in America. They travel to north London to help Peggy Hodgson and her four children after strange events fill their public housing home. Lorraine fears a vision that shows Ed dying, while Janet seems trapped by an evil spirit. The movie mixes dark rooms, jump scares, family danger, and warm moments.
The film's main themes are Christian faith, marriage, family loyalty, and the fight against spiritual evil. Lorraine's psychic gift and Peggy's work as a single mother are central to the plot, but the story treats them as part of the case and family drama. A brief schoolyard exchange uses the anti-lesbian slur "lesbo," yet the line does not create a queer character or relationship. The final struggle uses a Bible, a cross, and the names of the Father, Son, and Holy Spirit to defeat the demon.
Community feedback
Was our 5% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for The Conjuring 2.
Woke representation / casting
Not present. The prominent roles for female characters like psychic Lorraine Warren and struggling single mother Peggy Hodgson arise naturally from the faith-based horror premise and real events. The casting reflects the actual demographics of the 1970s British family and American investigators without any audience-visible identity signaling, diversity quotas, or mismatch with the story world.
0%
Woke political dialogue
Not present. Conversations in the film deal with paranormal investigation, family protection, personal faith, and battling malevolent spirits. There is no political dialogue, activist rhetoric, or references to identity, gender issues, or social justice topics.
0%
Identity-driven story themes
A child briefly uses the anti-lesbian slur "lesbo" during a schoolyard exchange. The film does not make the word a lesson or a main conflict. The main story follows faith, family, marriage, and supernatural evil.
10%
Western institutional / cultural critique
Not present. The story affirms traditional Christian beliefs and family values as effective against darkness. It offers no critique of Western institutions, traditional norms, patriarchy, or cultural heritage through an activist framework.
0%
Woke character or canon changes
Not relevant. The film adds dramatic horror elements such as the demonic nun Valak to heighten tension, consistent with franchise style and genre conventions. These are not identity-driven alterations to real people or source events.
0%
Anti-woke backlash and complaints
Not present. There are no reports or notable complaints from anti-woke perspectives claiming the film advances woke or left-wing identity politics. Public reactions instead sometimes fault its positive portrayal of religious faith from a non-believer viewpoint.
0%
Creator track record context
Not present in this title.
0%
Production
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