Movie review
June 23, 2026 · 108 min · PG-13
Woke Score
Lower is better
Not currently streaming in United States
Review
Supergirl is a gritty, space-western action film following a cynical and self-destructive Kara Zor-El who reluctantly joins forces with a young orphan named Ruthye on an interstellar quest for vengeance. The movie incorporates dark, mature themes by introducing a fabricated subplot where the main antagonists are an all-male society of space pirates who kidnap and traffic young girls as "brides." It heavily alters traditional superhero ethics and its source comic's message, culminating in the heroine executing the defeated villain rather than rising above revenge. These narrative choices, combined with the lead actress's promotional comments embracing queer readings and rejecting traditional gender expectations, triggered intense division and critical backlash.
Breakdown
These are the editorial factors and ratings behind our score for Supergirl.
Woke representation / casting
While the casting of a traditional white lead for Kara Zor-El and Eve Ridley as Ruthye fits the basic narrative, the film's creative direction heavily pushes a "messy, modern woman" archetype designed to defy traditional feminine representation.
Woke political dialogue
Mostly action and revenge-focused. Includes minor gender-related lines such as a young girl questioning the "Supergirl" vs "Superwoman" naming convention and one scene where Ruthye practically instructs the macho Lobo character. These are light and isolated rather than extended activist speeches.
Identity-driven story themes
The plot centers on a cynical female antihero who rejects romance, teamed with a young girl to dismantle an all-male sex-trafficking ring. The themes are heavily framed around female empowerment, sisterhood, and deconstructing traditional heroism, which Milly Alcock actively reinforced during press tours by claiming Kara "doesn't live inside the binary".
Western institutional / cultural critique
The conflict is personal, but the antagonists—an all-male breed of space pirates who subjugate young girls—function as an allegorical critique of patriarchal structures, although they do not target specific real-world Western institutions.
Woke character or canon changes
Dramatically alters both DC canon and the source material's moral message. The film invents the sex-trafficking subplot and completely flips the comic's ending: rather than guiding Ruthye away from vengeance and sparing the villain, Supergirl brutally stabs and executes Krem herself, a severe departure from traditional heroic ethics.
Anti-woke backlash and complaints
Generated intense backlash from right-leaning and anti-woke audiences who condemned the "depressing" portrayal of a female lead, the "bizarre" and shoehorned sex-trafficking storyline, and Alcock's public comments claiming physical superiority over Superman and inviting queer interpretations.
Creator track record context
Director Craig Gillespie has a history of cynical, female-led antihero projects (e.g., I, Tonya, Cruella). Screenwriter Ana Nogueira's admitted misreading of the comic's ending and producer James Gunn's insistence on changes directly drove the controversial narrative shift.
Production
