One Battle After Another is an action comedy about a former left-wing radical named Bob. He goes on a mission to rescue his daughter Willa after she is taken by a corrupt government agent. The movie features highly visible social-justice themes. These themes include a group of activists rescuing illegal immigrants from federal agents. There are also prominent female leads and a scene where a character is corrected about a friend’s non-binary pronouns.
Community feedback
Was our 89% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for One Battle After Another.
Woke representation / casting
The film casts black actresses in roles that were white in the original novel, including the main daughter and her mother. It also includes an audience-visible non-binary teenage character who uses they/them pronouns. Under our rules, this confirmed LGBTQ+ element adds extra weight to the casting score.
65%
Woke political dialogue
The dialogue contains strong political talking points, with characters arguing about state oppression and corporate greed. In one highly visible scene, the main character is corrected on a teenager's pronouns and spends time learning to politely use they/them.
60%
Identity-driven story themes
The main plot centers on former left-wing activists fighting a militarized, white supremacist government force. The story also features a modern underground railroad to protect illegal immigrants, and the inclusion of a non-binary character adds a strong modern identity element to the story's themes.
65%
Western institutional / cultural critique
The film heavily criticizes American border control and federal law enforcement. The main villain is a cartoonish caricature of a right-wing, white supremacist government agent. Additionally, a group of armed, weed-growing "nuns" provides a satirical critique of traditional religious structures.
70%
Woke character or canon changes
The movie changes multiple major white characters from the 1990 novel Vineland into black female characters. The setting is also changed from the 1980s to modern-day America, reshaping the story's classic counterculture struggle into a contemporary fight against immigration agencies.
45%
Anti-woke backlash and complaints
Conservative commentators and anti-woke channels heavily criticized the film. They blasted it as left-wing propaganda that romanticizes political violence and targets right-wing institutions. This backlash was highly visible across social media and YouTube.
80%
Creator track record context
Director Paul Thomas Anderson maintains an apolitical public profile and resists modern political pressure. Author Thomas Pynchon writes anti-authoritarian novels but stays completely out of the public eye. The rest of the crew has no notable activist background.
15%
Production
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