Money Shot: The Pornhub Story

The film centers interviews with adult performers, prominently featuring transgender performer Natassia Dreams (black trans community advocate and Pornhub ambassador) alongside multiple female performers such as Asa Akira, Cherie DeVille, and Siri Dahl discussing their work and industry impacts. This provides visible queer and gender-diverse voices in a documentary about the adult industry, consistent with elevated weighting for LGBTQ+ elements even when tied to the subject matter.

Performers emphasize consent, sex work as legitimate autonomous labor, and damage from policies that conflate professional content with trafficking. The film includes points distinguishing consensual porn from abuse and questions motives of some anti-trafficking campaigners. Dialogue advances worker-autonomy views without extended ideological lectures.

The narrative elevates economic and personal stories of predominantly female (and including LGBTQ+) performers affected by corporate policies and external pressures. It frames certain backlash measures as harming independent creators, with explicit inclusion of a black trans performer's perspective on self-expression and platform advocacy. This adds progressive labor-and-identity framing around sex work rights.

The documentary criticizes MindGeek/Pornhub's profit-driven model for enabling illegal content through poor moderation. It also examines anti-trafficking and anti-porn groups with conservative Christian roots (Exodus Cry, NCOSE) for leveraging scandals to advance wider restrictions on pornography and sex work, noting political ties. This remains focused on specific corporate and activist institutions rather than broad anti-Western, patriarchal, or systemic identity critiques.

Conservative and anti-porn critics faulted the film for downplaying trafficking and non-consensual content harms, presenting the industry as largely clean and consensual, and scrutinizing the conservative or evangelical connections of groups like Traffickinghub/Exodus Cry. Examples appear in outlets such as the Washington Examiner and Collective Shout labeling it propaganda or overly sympathetic. Complaints were real but remained limited in reach and intensity.

Director Suzanne Hillinger previously directed "Totally Under Control," sharply critical of Trump administration COVID handling, and produced "Stranger at the Gate," an Oscar-nominated short on a veteran's planned attack on a Muslim center and subsequent acceptance/redemption. Producer Alex Gibney has a long record of left-leaning documentaries on corporate scandals (Enron), government policies (torture, dark money), inequality, and institutional power. Jigsaw team projects often target accountability for corporations and conservative-leaning actors. This aligns with a pattern of progressive-leaning power critiques applied here to both a porn company and certain anti-porn activists.