
Movie review
June 29, 2022 · 87 min · PG · Kids · Sci-Fi · Fantasy · Animation · Comedy · Family
In 1976, eleven-year-old Gru lives in suburban America and dreams of becoming a great supervillain. He idolizes the Vicious 6, a gang of villains who have just betrayed their former leader, Wild Knuckles. When the gang rejects Gru because he is a child, Gru steals their powerful Zodiac Stone to prove himself. The theft brings a chase through San Francisco, a kidnapping, kung fu training, and a final fight during a Chinese New Year parade. The tone stays bright, loud, silly, and built around slapstick jokes, cartoon danger, and 1970s music.
The story gives important roles to Belle Bottom, a black woman who leads the Vicious 6, and Master Chow, a Chinese American woman who teaches kung fu. Belle chases power through the Zodiac Stone, while Chow trains the Minions to protect Gru. Gru and the Minions learn that loyalty and teamwork matter more than working alone. The film treats villainy as playful fantasy, and its humor centers on slapstick, old songs, kung fu, and the Minions' strange habits.
Community feedback
Was our 18% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Minions: The Rise of Gru.
Woke representation / casting
Belle Bottom is a black woman who leads the Vicious 6 and drives the main villain plot. Master Chow is a Chinese American woman who serves as a skilled kung fu teacher and rescuer in Chinatown. The film does not market these choices as a diversity goal, so the representation signal is noticeable but limited.
25%
Woke political dialogue
Not present. The dialogue covers villain plans, heists, friendship, and jokes. The film has no activist speeches, partisan claims, or modern political language.
0%
Identity-driven story themes
Not present. The main arcs follow Gru's need for approval, Otto's mistake, and the Minions' rescue mission. The story uses loyalty, mentorship, and teamwork rather than identity politics or social justice themes.
0%
Western institutional / cultural critique
Not present. Nun-Chuck and her crucifix are cartoon jokes in a villain group. The film does not attack Christianity, family, masculinity, or Western institutions with modern activist messaging.
0%
Woke character or canon changes
Not relevant. The movie adds an origin adventure for young Gru and the Minions. It makes no woke or identity-driven change to an established character, source, or real historical event.
0%
Anti-woke backlash and complaints
Right-leaning outlets called the film a non-woke alternative to Lightyear and linked the comparison to Lightyear's same-sex kiss. Social posts repeated the contrast and praised Rise of Gru for simple entertainment. The reaction had notable reach, but it was scattered and did not claim that this film itself pushed DEI, race, gender, or LGBT messaging.
25%
Creator track record context
Not present. The stored records give the key creators low scores and describe commercial animation careers. They show no clear activist, political, or identity-driven pattern that carries into this film.
0%
Production