Jack Delroy hosts Night Owls, a struggling late-night show in New York in 1977. He hopes a Halloween broadcast about ghosts and Satan will beat Johnny Carson and save his job. Jack invites a psychic, a loud skeptic, a woman who studies strange events, and a teenage cult survivor. The live show turns into a bloody fight with a demon while Jack’s grief and secret deal come to light.
The film gives June Ross-Mitchell a serious expert role because she has studied Lilly’s case. Lilly is central to the horror as a child survivor who becomes the demon’s host, while Jack drives the story through his hunger for fame. The main ideas are greed, grief, guilt, and the danger of using pain as television entertainment. The Satanic cult, the wealthy men’s club, and the pact with the Devil serve the supernatural plot and its warning about ambition.
Community feedback
Was our 1% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Late Night with the Devil.
Woke representation / casting
Not present in this title.
0%
Woke political dialogue
Not present. No activist, identity-based, or modern political dialogue appears. Brief historical references to 1970s events like Watergate provide era atmosphere only.
0%
Identity-driven story themes
Not present. The story follows a host’s Faustian ambition, grief, and supernatural possession in classic horror structure. No plotlines or messaging centered on race, gender, sexuality, or identity politics.
0%
Western institutional / cultural critique
Not present. References to elite circles like Bohemian Grove and 1970s events serve horror backstory and period flavor. No reframing into modern activist critiques of institutions, capitalism, patriarchy, or Western culture.
0%
Woke character or canon changes
Not relevant. This is an original story with no established characters, source material, or historical figures altered for ideological reasons.
0%
Anti-woke backlash and complaints
Not present. Isolated online comments from some viewers describe it as straightforward traditional horror without contemporary messaging. No widespread or organized complaints accused the film of advancing woke or identity-driven content. Main discussion stayed on technical production choices.
0%
Creator track record context
Cameron and Colin Cairnes have mainly made horror films and dark comedies. Derek Dauchy and Steven Schneider have mainly worked on mainstream horror and family films. Their recorded creator scores are low, from 2 to 6, and no activist or identity-focused pattern is documented.
4%
Production
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