Jimpa is a semi-autobiographical drama about a mother and her non-binary teenager who travel from Australia to visit the mother's gay grandfather in Amsterdam. The teen wants to stay for a year, which forces the mother to face old family issues, parenting choices, and personal stories across three generations. The film puts queer family life, non-binary identity exploration, and acceptance at the center through its main characters, casting, and promotion as a modern story of love and identity.
Community feedback
Was our 94% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Jimpa.
Woke representation / casting
Prominent non-binary teenager role played by the director's real-life non-binary child, with story and marketing heavily centering queer family representation and identity in lead roles across generations.
90%
Woke political dialogue
Includes discussions of queer history, identity acceptance, generational shifts, and modern gender concepts integrated into family talks, noted by reviewers as featuring explicit or "woke" language at times.
Production
74%
Identity-driven story themes
Core premise and structure revolve around queer intergenerational bonds, non-binary teen's identity exploration, gay grandfather's activist legacy, and redefining family stories through fluid identity and acceptance lenses.
90%
Western institutional / cultural critique
Highlights contrasts between traditional conservative upbringing and progressive queer life choices, subtly questioning rigid family norms and parenting expectations in an identity-focused way, but stays personal rather than broad systemic attack.
81%
Woke character or canon changes
Not relevant. This is an original semi-autobiographical story without changes to established characters, canon, or historical figures for ideological reasons.
0%
Anti-woke backlash and complaints
Only sparse fringe online remarks calling it propaganda or expressing queer theme fatigue; no significant mainstream anti-woke criticism, organized backlash, or "too woke" complaints widely reported.
27%
Creator track record context
Director Sophie Hyde has built a career around queer family and identity exploration films like 52 Tuesdays; key producers including Cyna Strachan prioritize queer and women-centered stories, with recurring patterns of identity-driven creative choices.
83%
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