A young idealistic FBI agent goes undercover in radical white supremacist groups to stop a terrorist plot involving stolen radioactive material for a possible dirty bomb. The story draws from real FBI undercover operations against domestic extremists. It presents a straightforward procedural thriller focused on the risks of infiltration and the threat of organized hate groups, with no modern activist lectures, identity politics framing, or cultural critiques layered on top.
Community feedback
Was our 18% Woke rating accurate?
Breakdown
These are the editorial factors and ratings behind our score for Imperium.
Woke representation / casting
Casting fits the premise naturally; a white male lead poses convincingly as a supremacist recruit, and the female senior agent performs competently without girlboss tropes or diversity emphasis.
5%
Woke political dialogue
Antagonists use racist language as part of their extremist worldview to create tension; protagonists show no modern activist speeches or ideological reframing.
10%
Identity-driven story themes
The conflict centers on explicit white supremacist ideology as a terrorist threat drawn from real cases; it stays within a law-enforcement procedural frame rather than broader identity politics or systemic messaging.
20%
Western institutional / cultural critique
The FBI is shown as effective at stopping a genuine threat; no modern critiques of patriarchy, capitalism, traditional norms, or Western institutions appear.
5%
Woke character or canon changes
Not relevant — the story is original fiction inspired by documented operations, with no altered historical figures or canon.
0%
Anti-woke backlash and complaints
Almost no public debate labeling the film as woke or agenda-driven; minor online notes exist but lack scale or organization.
5%
Creator track record context
Michael German’s post-FBI work includes civil liberties advocacy and emphasis on far-right extremism with institutional angles; Ragussis and other crew show no comparable activist patterns.
15%
Production
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